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Legendary composer Ennio Morricone called Quentin Tarantino a "cretin" and described the directional work as "not original".
The couple worked together on Tarantino's west, The Hateful Eight, and Morricone gives the result.
During the interview Plaiboi Germani, Morricone – best known for giving results for spaghetti westerners such as Good, bad and ugly – described how cooperation was not particularly happy, even Tarantino's work of "garbage".
"The man is a jerk," he said. "He just steals from others and puts it back in. There's nothing original about it, and he is not the director, so it's not comparable to real Hollywood glitches like John Huston, Alfred Hitchcock or Billy Wilder." They were great. old thing ".
1/17 Guards
Since his slow start, The Guardians evolve into an epic melodrama. It is a war story in which, for change, men are redirected to supporting roles. In the tradition of French rural family saga such as Jean De Florette or Manon Des Sources. Landscapes and changing seasons play as part of the main characters in the story.
2/17 Dark River
Dark River offers a bit of such comfort. She has several lyrical and gentle moments, but the mood is largely too dark and ugly. Incest and abuse do not leave much room for any comedy interlude. This is a powerful film with a grinding intensity around it. The release of light is not, but Dark River still has quite a lot of influence.
Alami
3/17 For me
Later in the extremely original new role of Argentina director Lucrecie Martel, Zama, the character who just broke his hands, is recommended to "break his hives in the sand … if we do not fill it, survive." It is a horrible, darkly humorous moment in a movie that us She is constantly surprised by brutality and her lyricism.
Match Factori
4/17 Breadvinner
The most striking aspect of this Oscar-nominated animation nominated is that his story still looks so current. The film shows an Afghan society in which women have no face. It was set during the Taliban rule, which lasted from the mid-1990s to the end of 2001, but this is not felt as a period. Seventeen years after the Taliban collapsed in Afghanistan after the invasion of the United States, the situation of women in the country seems to be difficult to improve.
GKIDS
5/17 BlacKkKlansman
The work of Spider Lee sometimes risks sensory overload. He ignites so many different ideas and styles of talk that the audience can bamboozled with their approach to dissipation. BlacKkKlansman is one of his best films, because digressions are as fun as ever, but they do not go in the way of the main story.
AP
6/17 Early man
Much of satisfaction in Aardman's films has always remained in their mildly ironic humor like Alan Bennett. They take very exotic characters and objects, but then they deal with them in the real way. They make the virtue of their relative modesty. An early man is not the best animated feature you will see this year, but it's definitely the most beautiful.
7/17 Isle of Dogs
Like all the works of Vesa Anderson, the Isle of Dogs is very stylish, very unconstrained and characterized by extremely dry and often ironic humor. This Japanese set-motion fable is also wonderful to watch – packed full of complex visual details. It deals with some difficult issues (ethnic cleansing, fascism and corruption), but it does it idiosyncratically.
8/17 Three billboards outside Ebbing, Missouri
Writer-director Martin McDonagh has a number of award-winning performances behind him, but his films did not always live up to his stage work. This certainly works. It is shared by some dark and nihilist humor found in McDonough's previous film, Seven psychopaths.
9/17 Quiet place
In the era of terrible poltergeist films, cursed home stories and pornography for torture, Silence is a refreshing, focussed and very original thing. Director John Krasinski relies on editing, sound effects and off-screen action to pull out the tension. Sometimes we see creatures, sometimes even in extreme twins. They are a very grotesque, larger version of a polyp-like skeleton that exploded from the stomachs of John Hurth to Alien. However, the most terrible moments come when people are waiting to appear, desperately hoping they will not.
Paramount Pictures
10/17 Ladi Bird
Ladi Bird is one of the best American movies about the age of Diner Bari Levinson. Written and directed by Greta Gervig, she offers an extremely profitable blend of humor, sharpness and sharp social observations. Gervig approaches his object with the same gentle and kind irony that adolescent Ladi Bird agrees with Sacramento. Gervig also shows Ladi Bird heroin doll, as a young hero tries to become the best version in itself.
A24
11/17 Phantom Thread
If Phantom Thread is actually the final film by Daniel Levis as an actor, he comes out to a marvelous bizarre note. This must be the most comfortable film in his career, in which he gives a typically commanding but very idiosyncratic performance. Almost everything here is jarring – but generally in a very positive way.
12/17 First Reformed
Not so long ago Paul Schrader gave up cinema. The American writer-director (whose credits included Taki Driver, American Gigolo and Affliction) made films such as the acidic Hollywood satire The Canions with Lindsay Lohan and cartoonishly violent Dog Eat Dog, a cheap record for the VOD audience. The first ones were mounted in closed cinemas. In interviews, Schrader entered a dark note about the future of the industry. That's why the First Reformed is so refreshing. This is not just Schrader's best movie for a very long time. It is also a reaffirmation of the director's belief in the media.
Rek
13/17 Happy Prince
Oscar Wilde goes into a rubble in Rupert Everett's film as a director. Everett also wrote and recorded stars in the film, providing a magnificent performance as an Irish writer at the end of his life, after being released from jail, where he is working hard for "great indecency". This is a relocation and a surprising biopie that exhaust every last cap of the pathos out of its own matter.
BBC Films
14/17 Black Panter
Black Panther is not just one of the most entertaining of the latest superhero films, it already has the intelligence and political dimension that such innocent offers such as Suicide Squad and Justice League were completely lacking. It's an action film that touches on pan-Africanism and owes so much to Malcolm Ks as Batman or Captain America does.
Marvel Studios / Disney
15/17 Sicilian story of the spirit
The Sicilian story of ghosts is a genre bending combining elements of teen romance, gothic psychodrama and political trilogy. It is lightly based on the true story of the boy Giuseppe Di Matteo, whose father, a former member of the Sicilian mafia, turned the "grass" against his former associates. The mafia responded by abducting Giuseppe and detaining him in captivity for almost 800 days.
Elevation
16/17 The first man
The first man talks about subverted heroism. This is precisely because Armstrong (playing softly the intensity of Ryan Gosling) does not feel the constant need to boast of his mission. The film is a tearjerker, but very subtle.
AP
17/17 Dogman
Dogman is one of the best Italian films lately, a modern neo-realistic fairytale that compares with excellent works by Fellini, Rossellini, De Sica and sar. His main character, drunk Marcello (Marcello Fonte), is a wonderful thing: kind, sensitive, remembered and comic at the same time.
Curzon artificial eye
1/17 Guards
Since his slow start, The Guardians evolve into an epic melodrama. It is a war story in which, for change, men are redirected to supporting roles. In the tradition of French rural family saga such as Jean De Florette or Manon Des Sources. Landscapes and changing seasons play as part of the main characters in the story.
2/17 Dark River
Dark River offers a bit of such comfort. She has several lyrical and gentle moments, but the mood is largely too dark and ugly. Incest and abuse do not leave much room for any comedy interlude. This is a powerful film with a grinding intensity around it. The release of light is not, but Dark River still has quite a lot of influence.
Alami
3/17 For me
Later in the extremely original new role of Argentina director Lucrecie Martel, Zama, the character who just broke his hands, is recommended to "break his hives in the sand … if we do not fill it, survive." It is a horrible, darkly humorous moment in a movie that us She is constantly surprised by brutality and her lyricism.
Match Factori
4/17 Breadvinner
The most striking aspect of this Oscar-nominated animation nominated is that his story still looks so current. The film shows an Afghan society in which women have no face. It was set during the Taliban rule, which lasted from the mid-1990s to the end of 2001, but this is not felt as a period. Seventeen years after the Taliban collapsed in Afghanistan after the invasion of the United States, the situation of women in the country seems to be difficult to improve.
GKIDS
5/17 BlacKkKlansman
The work of Spider Lee sometimes risks sensory overload. He ignites so many different ideas and styles of talk that the audience can bamboozled with their approach to dissipation. BlacKkKlansman is one of his best films, because digressions are as fun as ever, but they do not go in the way of the main story.
AP
6/17 Early man
Much of satisfaction in Aardman's films has always remained in their mildly ironic humor like Alan Bennett. They take very exotic characters and objects, but then they deal with them in the real way. They make the virtue of their relative modesty. An early man is not the best animated feature you will see this year, but it's definitely the most beautiful.
7/17 Isle of Dogs
Like all works by Vesa Anderson, the Isle of Dogs is very stylish, very unconstrained and characterized by extremely dry and often ironic humor. This Japanese set-motion fable is also wonderful to watch – packed full of complex visual details. It deals with some difficult issues (ethnic cleansing, fascism and corruption), but it does it idiosyncratically.
8/17 Three billboards outside Ebbing, Missouri
Writer-director Martin McDonagh has a number of award-winning performances behind him, but his films did not always live up to his stage work. This certainly works. It is shared by some dark and nihilist humor found in McDonough's previous film, Seven psychopaths.
9/17 Quiet place
In the era of terrible poltergeist films, cursed home stories and pornography for torture, Silence is a refreshing, focussed and very original thing. Director John Krasinski relies on editing, sound effects and off-screen action to pull out the tension. Sometimes we see creatures, sometimes even in extreme twins. They are a very grotesque, larger version of a polyp-like skeleton that exploded from the stomachs of John Hurth to Alien. However, the most terrible moments come when people are waiting to appear, desperately hoping they will not.
Paramount Pictures
10/17 Ladi Bird
Ladi Bird is one of the best American movies about the age of Diner Bari Levinson. Written and directed by Greta Gervig, she offers an extremely profitable blend of humor, sharpness and sharp social observations. Gervig approaches his object with the same gentle and kind irony that adolescent Ladi Bird agrees with Sacramento. Gervig also shows Ladi Bird heroin doll, as a young hero tries to become the best version in itself.
A24
11/17 Phantom Thread
If Phantom Thread is actually the final film by Daniel Levis as an actor, he comes out to a marvelous bizarre note. This must be the most comfortable film in his career, in which he gives a typically commanding but very idiosyncratic performance. Almost everything here is jarring – but generally in a very positive way.
12/17 First Reformed
Not so long ago Paul Schrader gave up cinema. The American writer-director (whose credits included Taki Driver, American Gigolo and Affliction) made films such as the acidic Hollywood satire The Canions with Lindsay Lohan and cartoonishly violent Dog Eat Dog, a cheap record for the VOD audience. The first ones were mounted in closed cinemas. In interviews, Schrader entered a dark note about the future of the industry. That's why the First Reformed is so refreshing. This is not just Schrader's best movie for a very long time. It is also a reaffirmation of the director's belief in the media.
Rek
13/17 Happy Prince
Oscar Wilde goes into a rubble in Rupert Everett's film as a director. Everett also wrote and recorded stars in the film, providing a magnificent performance as an Irish writer at the end of his life, after being released from jail, where he is working hard for "great indecency". This is a relocation and a surprising biopie that exhaust every last cap of the pathos out of its own matter.
BBC Films
14/17 Black Panter
Black Panther is not just one of the most entertaining of the latest superhero films, it already has the intelligence and political dimension that such innocent offers such as Suicide Squad and Justice League were completely lacking. It's an action film that touches on pan-Africanism and owes so much to Malcolm Ks as Batman or Captain America does.
Marvel Studios / Disney
15/17 Sicilian story of the spirit
The Sicilian story of ghosts is a genre bending combining elements of teen romance, gothic psychodrama and political trilogy. It is lightly based on the true story of the boy Giuseppe Di Matteo, whose father, a former member of the Sicilian mafia, turned the "grass" against his former associates. The mafia responded by abducting Giuseppe and detaining him in captivity for almost 800 days.
Elevation
16/17 The first man
The first man talks about subverted heroism. This is precisely because Armstrong (playing softly the intensity of Ryan Gosling) does not feel the constant need to boast of his mission. The film is a tearjerker, but very subtle.
AP
17/17 Dogman
Dogman is one of the best Italian films lately, a modern neo-realistic fairytale that compares with excellent works by Fellini, Rossellini, De Sica and sar. His main character, drunk Marcello (Marcello Fonte), is a wonderful thing: kind, sensitive, remembered and comic at the same time.
Curzon artificial eye
The Hateful Eight won Morricone his first Oscar, while Tarantino was present at the Hollivood Valk of Fame music star celebration.
The 90-year-old continued: "He calls from nowhere, and then he wants to finish the film score within a few days, which is impossible. Why am I crazy because this is simply not possible."
He further criticized Hollywood at all, saying "there is no more desire to travel to this terrible America with these pompous aids, such enemies as the Oscar and the whole fripper."
The last Morricone was Correspondence, an Italian and an English film starring Jeremy Irons and Olga Kurilenko.
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