Monday , November 29 2021

Death of Abu Abbas .. Star of Rahabani plays



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The Association of Theatrical, Film, Radio and Television Representatives Abu Abassi, who with his performances followed his voice with artist Ziad Rahbani during a civil war that struck the country between 1975 and 1990.

Despite his experience on the stage of the Lebanese American University in Beirut since 1974, his name is associated with the character (Abu Zulf) who performed in the play "Shi Fashil" by Zhi Rahbani.

Before Abu al-Zulfa, Abu Abasi knew the character of Edward in the play "Long American film" Al-Rahabani, and this figure was established in the minds of the Lebanese during the war.

Abu Abasi was born in 1956 in Saidi in a family originally from the southern city of Rashaia al-Fakhar.

He began his first acting appearances in the chest of the Lebanese reconnaissance scout and joined the Lebanese University in America in 1974.

Abu Abasi University is famous for writers and writers, including late Lebanese novelist Rose Gharib, where he participated in a drama titled Venianos Bdaiah.

His experience at the university led him to identify Ziad Rahbani in 1977, who was given a role in the performance (for Bakra Shaw) in 1978.

His first performance was in 1979 through the play "Wax", which came in a philosophical and skeptical direction.

Abu Abbas has repeatedly stated that they disagree with the play Ziad Rahbani, but said, "I was different from him, but I enjoyed working with him from my dedication to the principle of loyalty to the writer."

This led to the participation of Abu Abassi in all of Rahbani's drama from 1978 (from Bakra Shav) in 1978 to "American Long Film" in 1980 and "Shi Fashl" in 1983 to "On Dignity and Stubborn People" in 1993 and "Had there been no hope).

Abu Absi also participated with Lebanese directors Iakub al-Shadravi in ​​the 1981 Gibran and al-Qaida performance, Rabea Marwa in 1996, and Faisal Farhat in Aveis Agha 1981.

Abu Abasi lectures at the Lebanese American University in Beirut on the basis of his extensive studies in the United States in the field of Philosophy and Theater, especially the Shakespearian Theater.

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The Association of Theatrical, Film, Radio and Television Representatives Abu Abassi, who with his performances followed his voice with artist Ziad Rahbani during a civil war that struck the country between 1975 and 1990.

Despite his experience on the stage of the Lebanese American University in Beirut since 1974, his name is associated with the character (Abu Zulf) who performed in the play "Shi Fashil" by Zhi Rahbani.

Before Abu al-Zulfa, Abu Abasi knew the character of Edward in the play "Long American film" Al-Rahabani, and this figure was established in the minds of the Lebanese during the war.

Abu Abasi was born in 1956 in Saidi in a family originally from the southern city of Rashaia al-Fakhar.

He began his first acting appearances in the chest of the Lebanese reconnaissance scout and joined the Lebanese University in America in 1974.

Abu Abasi University is famous for writers and writers, including late Lebanese novelist Rose Gharib, where he participated in a drama titled Venianos Bdaiah.

His experience at the university led him to identify Ziad Rahbani in 1977, who was given a role in the performance (for Bakra Shaw) in 1978.

His first performance was in 1979 through the play "Wax", which came in a philosophical and skeptical direction.

Abu Abasi repeatedly said he disagreed with the Ziad Rahbani method, but said: "I was different from him, but I enjoyed working with him from my dedication to the principle of loyalty to the writer."

This led to the participation of Abu Abassi in all of Rahbani's drama from 1978 (from Bakra Shav) in 1978 to "American Long Film" in 1980 and "Shi Fashl" in 1983 to "On Dignity and Stubborn People" in 1993 and "Had there been no hope).

Abu Absi also participated with Lebanese directors Iakub al-Shadravi in ​​the 1981 Gibran and al-Qaida performance, Rabea Marwa in 1996, and Faisal Farhat in Aveis Agha 1981.

Abu Abasi lectures at the Lebanese American University in Beirut on the basis of his extensive studies in the United States in the field of Philosophy and Theater, especially the Shakespearian Theater.

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